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RECENT &
UPCOMING
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A HIGHLY MUSICAL PERFORMANCE.

"This was a highly musical performance, putting the notes first and letting the meaning and drama come through them. Wagner sang with a feeling of long phrases, not just excellent breath support through each vocal line but an elegant legato that gathered each separate line into an extended sensation. This was a subtle and intelligent approach, a story-telling feeling in music that is usually sung as a series of emotional vignettes."

NEW YORK CLASSICAL REVIEW

2026/27 SEASON

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In Recital

Recitalist | Milton Academy | October 1, 2026

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Britten Pears Young Artist Programme

Mary Mackintosh Award Recipient | The Aldeburgh Festival | June 20-27, 2026​

Beethoven's Ninth Symphony

Soprano Soloist | Rockport Music Festival | July 12, 2026

In Concert: All Mozart!

Soloist | Orchestra of St. Luke’s, Naumburg Orchestral Concerts | September 21, 2026

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Medea

Second Lady | The Metropolitan Opera | October 30-November 21, 2026

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In Recital: Passions IV, Ned Rorem

Recitalist | Brooklyn Art Song Society | January 10, 2027​

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Mahler's 3rd Symphony

Soloist | Des Moines Symphony | April 17 & 18, 2027

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Chamber Music Concert

Soloist | Bangor Chamber Music Series | April 22, 2027 

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Mahler's 2nd Symphony

Soloist | Bangor Symphony Orchestra | April 25, 2027​

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"HER WARM, SHIMMERING VOICE SOARED"

SEEN & HEARD INTERNATIONAL
George and Nora London Foundation Competition 2024- winner

PAST HIGHLIGHTS.

Young Concert Artists Year Long Project Culminating Concert | Soloist | Concert for NYC Public School Students | 2026

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The Naumburg Foundation 100th Anniversary Concert | Soloist | The Naumburg Foundation | 2026

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Mozart and Spears Requiem Reimagined | Soloist​ | New York Choral Society | 2026

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Beethoven's Symphony no. 9 | Alto Soloist | Anchorage Symphony Orchestra | 2026

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In Recital | The Naumburg Foundation | 2026

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In Recital | The North Carolina Museum of Art | 2026

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In Recital | Hayden's Ferry Chamber Music Series | 2026

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Hansel and Gretel | Hansel | Houston Grand Opera (Family Day) | 2026

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Messiaen’s Harawi | Recitalist | Brooklyn Art Song Society | 2026

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In Recital | Artist Series' Concerts of Sarasota | 2025

 

In Recital | University of Alabama Birmingham | 2025

 

Love Untamed | Soloist | Ars Lyrica Houston | 2025

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In Recital | Bay Area Turning Point Domestic Violence Center; The Shoshana Foundation | 2025

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In Recital | Buffalo Chamber Music Society | 2025

 

Dialogues des Carmélites | Blanche | Wolf Trap Opera | 2025

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Carmen | Mércèdes | Wolf Trap Opera | 2025

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Beethoven's 9th Symphony | Alto Soloist | Maryland Symphony Orchestra | 2025

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Young Concert Artists Season Finale | Soloist, Brahms Liebeslieder Waltzes | Carnegie Hall | 2025

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Gerda Lissner Foundation Winners' Gala | Soloist | Carnegie Hall | 2025

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"To Come Back" In Recital | Recitalist | Young Concert Artists at The Morgan Library | 2025

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Tour de France at Merkin Hall | Recitalist | New York Festival of Song | 2025

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Der Kaiser von Atlantis | Der Trommler | Louisville Orchestra | 2025

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Opera Index Winners' Gala | Soloist | The Metropolitan Club | 2025

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Die Frau ohne Schatten | Unborn Voice 3, Servant 2 (cover) | The Metropolitan Opera | 2024

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Histories II | Recitalist | Brooklyn Art Song Society | 2024

 

Bruckner Te Deum | Mezzo Soloist | Brazos Valley Symphony Orchestra | 2024

 

A Celebration in Song | Soloist | Ames Town and Gown | 2024

 

Così fan tutte | Dorabella | Wolf Trap Opera, 2024

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Of the Dark Doves | world premiere by Alistair Coleman presented by Young Concert Artists at Carnegie’s Zankel Hall | 2024

 

The Sound of Music | Sister Margaretta | Houston Grand Opera | 2024

 

Everything Must Change | recital debut presented by Young Concert Artists at The Kennedy Center and The Kaufman Music Center | 2024

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All Together Now | concert with New York Festival of Song | 2024

 

Parsifal | Blumenmädchen and Voice from Above | Houston Grand Opera, 2024

 

Madama Butterfly | Kate Pinkerton | Houston Grand Opera | 2024

 

Touching the Living Garden | recital presented by The Naumburg Foundation at Carnegie’s Weill Hall | 2023

 

Houston Grand Opera Studio Scenes Showcase:Béatrice et Bénédict (Béatrice), The Turn of the Screw (Miss Jessel), and Eugene Onegin (Larina | 2024

 

Idomeneo | Idamante | Aspen Music Festival and School | 2023

 

Orchestrated Lieder of Schubert | Aspen Music Festival and School | 2023

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Everything Must Change | recital debut at San Francisco Opera as the winner of the Schwabacher Recital Debut | 2023

 

Salome | Ein Page der Herodias | Houston Grand Opera | 2023

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Le nozze di Figaro | Barbarina and Cherubino (study cover) | Houston Grand Opera | 2023

 

The Wreckers | Jack | Houston Grand Opera | 2022

 

Houston Grand Opera Butler Studio Showcase | scenes from Pelléas et Mélisande (Mélisande) and Die lustigen Weiber von Windsor (Frau Reich) | 2022

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Merola Opera Grand Finale | scenes from Ariadne auf Naxos (Der Komponist) and Carmen (Mercédès) | 2022

 

Die Zauberflöte | Zweite Dame | Merola Opera Program | 2022

 

Schwabacher Summer Concert | scenes from Ainadamar (Niña A) | Merola Opera Program | 2022

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A Celebration of American Song | concert with Craig Terry | Merola Opera Program | 2022

 

But How Things Change | recital debut presented by The Naumburg Foundation at Carnegie’s Weill Hall | 2022

 

Bach’s Magnificat The Choral Society of Grace Church | 2021

 

9 Under 34 | concert with New York Festival of Song | 2021

 

Rodelinda | Unulfo | Aspen Music Festival and School | 2021

 

Die Zauberflöte | Zweite Dame and Knabe | Aspen Music Festival and School | 2021

 

Life in Color The Juilliard School Vocal Arts Honors Recital | 2021

 

Afflicted and Empowered Women | recital for The Naumburg Foundation Vocal Competition Finals | 1st Prize | 2021

 

Tour de France | Caramoor Schwab Vocal Rising Star with New York Festival of Song | 2021

 

Juilliard Songfest with Brian Zeger | 2019 and 2021

RAVISHING, WITH APPROPRIATE REGAL CHARACTER

"As Idamante, the would-be king, [soprano] Erin Wagner sang with appropriately regal character, and as Ilia, a Trojan captive in love with Idamante, soprano Meredith Wohlgemuth produced a silky-sweet sound that matched seamlessly with Wagner’s in a ravishing Act II duet."

ASPEN TIMES

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